Rules for dating my daughter

Some time ago this t-shirt made the rounds of Facebook and Twitter, and met with general approval from the wild-eyed feminists I tend to hang out with:

feminist dad t-shirt

From https://www.facebook.com/rhrealitycheck

 

 

 

 

 

 

 

 

 

 

 

 

 

I certainly approved of it as an antidote to some other much more macho versions I’ve seen, like this one:

rules for dating my daughter -- macho version

Via Anna Eaton on Pinterest

 

Talk about being hostile and possessive. (Though I totally agree with the doorbell thing.) It all seems to amount to this, really:

Rules for dating my daughter you can't

Via Anna Eaton on Pinterest

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And that’s just about as patriarchal as it gets. Also, I’m the mother of a teenage son, and I don’t really appreciate these sentiments being directed at him. It’s as if these guys were all such sleazes in their own dating days that they expect the worst from every other young man.

Not that I’m going to suggest typical young men — and quite a few older men — are not highly, highly motivated to get some.

Which is, of course why there are risks out here for young women who are dating (or just trying to get a meeting with Bill Cosby). And my novel The Ribs and Thigh Bones of Desire demonstrates at least one of those risks fairly dramatically.

But how many people would really be willing to apply “She makes the rules. Her body, her rules” to their own teenage daughters?

The heroine’s arguably wacko feminist mother in The Ribs and Thigh Bones of Desire DOES hold this philosophy and actually puts it into practice at a key moment …. and plenty of women I consider feminists react to that moment by saying “WHAT? She said WHAT?”

Not without reason. The 17-year-old may be legally of age (in Massachusetts) and unusually mature, but she’s recently survived a harrowing ordeal. And the fellow she wants to make her own rules with is a much older man who is messed up in his own way, though I don’t consider him a predator.

And perhaps it’s easy for me to try to support the idea that SHE makes the rules, because I don’t have a biological daughter, and my stepdaughter is now safely grown up (though we had plenty of nail-biting moments), and I myself avoided most of the dangers of immature sexual experimentation by being a total nerd for a long, long time.

But I was a daughter. And while my childhood was thankfully not much like Molly’s, I do remember how I felt about being protected from my own opportunities to grow up: I resented it.

My old Clearwater High School friend Gayle recently posted on Facebook about how I had a “purity of purpose” in high school, whereas she was obsessed with boys. The reality was that I just kept my obsessions quieter. Yes, I campaigned for Jimmy Carter at age sixteen. And yes, I was enthralled by him (a Southern liberal! It was such a refreshing concept!). But a lot of that effort had to do with the fact that I was canvassing with the lovely young Michael Billiris. (He never laid a finger on me, I’m sad to say, though I’m not sure I would have had the slightest idea what to do if he had.)

When Carter won, Michael and I were of course invited to the local campaign party to celebrate, and that was when my dad said no. My father was a local journalist and he knew what those parties were like — probably not at all a safe place for a naive 16-year-old. Even though I know this now, that “no” still rankles all these decades later. I worked on that campaign, damn it! And Michael Billiris was going to that party!

Maybe Dad saved me from some horrible trauma. But as far as I was concerned, when it came to all that stuff I was always waaaaay behind my peers.

The thing is, learning how to handle sex is part of growing up. For girls as well as boys. There’s fumbling around and figuring out what the deal is, especially since everybody has been trying so hard to keep you from learning it.

There’s learning how to cope with people who want it from you — perhaps especially if you don’t want it with them — or to cope with people who don’t want it with you when you desperately want it with them.

There’s crappy beginner sex, getting-better-with-practice sex, and, hopefully, some really great sex. Maybe you’re lucky and it’s all with the one great love of your life. Most of us aren’t that lucky. (And do people that lucky actually know how lucky they are?)

The thing is, you can’t ever just check sex off your bucket list as something you’ve done. All your life, you’ll be affected by your own and your partner’s (or partners’) libido. You are going to have to cope with the sometimes heartbreaking difference between sex and love, between sex and actual emotional intimacy, between sex and commitment. You may be faced with betrayal or boredom or disability. You may be one of those sad people who compulsively pursue sex even against your own best interest (see Bill Clinton, or Arthur in The Awful Mess).

As parents, we’d love to make sure this area of life always goes well for our kids, along with everything else. Hopefully, we teach our sons and daughters to respect themselves enough that they won’t do things they don’t really want to do just to be accepted. Hopefully, we teach them to respect others enough that they won’t wreak horror on someone just because they can.

And perhaps fortunately, there’s a sort of natural limit after which it becomes creepy to the rest of the world if we don’t let go and let our children make their own decisions about it.

Their bodies. Their rules.

But, oh Lord, please help them get them through it safely.

As I told a reader at the Sand Lake Town Library this weekend, if reading The Ribs and Thigh Bones of Desire keeps just one young woman (or young man, for that matter) from getting drunk at a party and paying the price for it, it will have been worth everything I put into it.

And if it prevents even one person from judging someone harshly for a youthful misstep in this area, that will make me happy, too.

What about you? When do you think “her body, her rules” kicks in?

Art or gimmickry or pornography?

This post is potentially NSFW, which means Not Safe For Work, non-internet-savvy readers. (Hey, my parents read this blog!)

Molly’s mother in The Ribs and Thigh Bones of Desire is the kind of artist whose work would make any teenage girl cringe. Multiply that by ten if you happen to be her daughter in a small town where everybody knows about it.

Of course, Cassandra was great fun to write, because she allowed me to tap my inner terrible feminist artist. I love art, and I didn’t decide that I wasn’t going to pursue it as a career until I got to UMass and couldn’t get into any of the studio classes my freshman year. (I declared an English major that year, and that was that.)

But writing will never be as in-your-face as the visual arts can be. And while I admire certain artists for making the unspeakable a topic of discussion, I have also always wondered what it would be like to actually, say, be their kids, or their husbands, or wives.

One work, in particular, inspired such thoughts: The Dinner Party, by Judy Chicago. It premiered in 1979, toured to great controversy, and is now housed in the Brooklyn Museum. It’s a triangular arrangement of dinner settings that purports to represent important women from three historical eras. (Yes, Virginia Woolf is there.) What made it shocking (at the time) was that the plates were painted to represent stylized vaginas.

As Wikipedia says, it provoked a range of opinion. Some loved it.

Feminist critic Lucy Lippard stated, “My own initial experience was strongly emotional… The longer I spent with the piece, the more I became addicted to its intricate detail and hidden meanings,” …. These reactions are echoed by other critics, and the work was glorified by many.

Many others hated it.

Hilton Kramer, for example, argued, “The Dinner Party reiterates its theme with an insistence and vulgarity more appropriate, perhaps, to an advertising campaign than to a work of art.”[9] He called the work not only a kitsch object but also “crass and solemn and singleminded,” “very bad art,… failed art,… art so mired in the pieties of a cause that it quite fails to acquire any independent artistic life of its own.”[9]
Maureen Mullarkey also criticized the work, calling it preachy and untrue to the women it claims to represent.[9]

(Go to Wikipedia for the full article, plus references.)

Personally, I am as guilty as the next Philistine of thinking of some contemporary art as a vulgar gimmickry (although I will also grant you that sometimes vulgar gimmicks are what it takes to get a conversation going). One generation’s shameless art may well become another generation’s fine art, and vice versa. Also, there’s clearly a lot more artistic attention to detail in The Dinner Party than there is in Cassandra’s work.

Of course, Cassandra’s art is not the only art in the book. Towards the end of Ribs, David takes Molly to The Clark Institute, one of my favorite museums in the world, where he is freaked out by two paintings on display in the first room. If you click on the link for the Clark above and let the photographs at the top of the home page run through their animation, you’ll see just how striking William-Adolphe Bouguereau’s Nymphs and Satyrs painting is as you walk in. It’s not subtle, either, David tells Molly, when she shares that  criticism of her mother’s work. But she forgives Bouguereau’s piece for not being subtle because it’s beautiful.

Another painting still on view at the Clark (which recently renovated) is Jean-Léon Gérôme’s Slave Market (below). As the Clark’s web site points out, “This disturbing scene is set in a courtyard market intended to suggest the Near East. The vague, distant location allowed nineteenth-century French viewers to censure the practice of slavery, which was outlawed in Europe, while enjoying a look at the female body” (Lees, Sarah, ed.).

And as I look at this painting with fascination — and I have visited and done so many times — I always feel uncomfortably voyeuristic. There’s inherent drama in this painting. There’s arguably a point being made about a brutal and unfair balance of power (possibly a racist and anti-Islamic one). There’s also that icky feeling of wondering if I’m essentially just looking at pornography in a very public place.

The thing is, I know that I can’t explore the topic of sex in my books without asking myself if what I’m writing strays into that territory. And, in fact, David asks Cassandra that question about her art.

But I feel compelled to write about it anyway, because sex is part of our existence, and so is the risk of becoming a victim, not just of the rapist, but of the bully, the murderer, the thief, the car driven by the drunk, the awful storm, the disease, the plane crash.

Of course, we prefer not to think about this, even to shift blame to the victim, as if somehow if that person had just prayed harder, gone only to the right places, eaten only healthy food, had the good sense to be born in the United States, been a good enough person, then God would have protected her, or him. Or, if we don’t expect God to protect us from all harm, then perhaps we assume that excellent judgment will provide its own shield from disaster.

And surely it does help, but not enough, not all the time.

And perhaps, if we could empathize a little better with people caught in that reality, and sympathize with those who have gone through it, we will be better able to lend a helping hand. Maybe we’ll try a little harder to prevent some of the trauma and carnage in the first place, instead of just turning away, or condemning the victim.

That’s my hope, anyway. If you’re not a kind person, and your reaction to Slave Market ends with “Woo hoo! Look at them titties!” here’s where I humbly suggest that there are a whole lot of Tumblr sites that would be a much better match for you.

So you’re thinking of indie publishing? (Updated 1-31-15)

Do your homework first and check out some of this information on the state of the art.

I originally pulled this information together because I was presenting about self-publishing at the Troy NY Public Library with traditional authors Jenny Milchman and Diane Cameron. That session filled quickly and ended up with a long waiting list, so there’s clearly a need for this information. (We may well do more sessions in the future — in fact, I am already working on one for March — so join my mailing list if you want to hear about them.)

The Ribs and Thigh Bones of Desire -- showing a (dressed) teenage girl on a bed, looking rather pensive.It was a handy review for me, too, as I decided just how much to undertake in the marketing of my second novel The Ribs and Thigh Bones of Desire — which came out last month and is just not selling itself no matter how much I wish it would. (Yes, that’s one of the things you need to know about indie publishing.)

I’m just going to assume that you’ve written a good book, gotten plenty of feedback from people other than your mom, and gotten it properly edited and proofread and formatted. I’m also assuming that you can handle a bad review without melting down. (If you can’t, stop now, because you’re not ready to publish.)

Indies Unlimited
This is a great site to explore because it offers tons of good information shared by knowledgeable and experienced indie authors. There are also opportunities to promote, but that’s mostly going to fellow authors, so don’t get too excited about it. Start here, since it’s a guide to the whole site:
http://www.indiesunlimited.com/2014/12/29/how-indies-unlimited-works-2/#more-61154

Kristine Kathryn Rusch on “Business Musings: Things Indie Writers Learned in 2014”
This is a post that pretty much sums up the state of the business at the end of 2014. Among other things, Rusch points out that “writing is hard,” “publishing is hard,” and “the gold rush is over.” In short, this article provides a useful reality check about indie publishing. But it’s not completely hopeless! So if you can read this and still feel willing to buckle in, consider giving it a try. (You should also read her year-end take on traditional publishing if you are contemplating that as an option.)
http://kriswrites.com/2014/12/23/business-musings-things-indie-writers-learned-in-2014/comment-page-1/#comment-131576

Hugh Howey on “Where do we go from here?”
Howey, probably the most famous indie author success story, is more upbeat than Rusch here, though he reminds us that no entertainer can expect to succeed forever.
http://www.hughhowey.com/where-do-we-go-from-here/

Anne R. Allen on “Why the Self-Published Ebook is No Longer the ‘New Query’”
This post by Anne R. Allen provides a useful counter to Howey, in case he encourages you a little too much. I think it applies best to people who are hoping going indie will transition them into a successful traditional career selling literary fiction. I would honestly recommend trying traditional first if that is your goal. But if you hit a brick wall or don’t sell well enough in your debut, even though people unrelated to you are quick to say your stuff is good, indie publishing is the other way to start finding your readers.
http://annerallen.blogspot.com/2015/01/why-self-published-ebook-is-no-longer.html

Lindsay Buroker’s marketing advice for 2015
Good stuff here from a successful and personable indie author, including the perennial discussion of whether to be in Kindle Select or not. Her blog is worth mining for lots of good information, especially if you write historical mysteries or series.
http://www.lindsayburoker.com/e-publishing/ebook-marketing-strategies-for-2015-what-will-work/

Build your author platform
Instead of giving you a blog link, I’m giving you a book link, because I think this is a really good guide at a reasonable price (though you could also just track down the author’s blog posts on the subject):
http://www.amazon.com/The-Extroverted-Writer-Marketing-Building-ebook/dp/B00BT5SW78

Network with fellow authors
Jenny and Diane and I were doing this when we got together to put on a presentation. Writers often benefit from working together, perhaps especially if they share a genre. Or maybe you’re neighbors, or one of you started as a fan of the other, or you met and bonded while surviving a crazy writer’s workshop (that’s Jenny and me). Anything goes. Be supportive of other authors to the extent you can without lowering your own standards or turning off your own audience.

Having said that…

  • Don’t ask authors for favors when you haven’t even bought their books, or reviewed them, or written to them, or helped them get the word out, or in some way established a relationship that isn’t just asking them to do something for you.
  • Unless people are already your friends — and volunteer to do it — assume that you will need to pay them for editorial services. Nobody edits or gives feedback for the sheer joy of it.
  • Don’t “trade” reviews. It puts you in an unpleasant ethical bind.
  • Don’t write nasty reviews. Reviewing fellow authors is fine, but if you didn’t like their books, it’s better not to review at all. Even a middling review could get you in trouble.
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My first (homemade) cover

TheAwfulMess 396 x 612 pixels

Designed by Damonza.com

Get the right cover
Whether you think you have the skills yourself (it’s possible), or plan to hire someone, the cover is a big decision. (Though it need not be a final one – as an indie, you CAN change covers much more easily than a traditional author can.) Joel Friedlander, AKA The Book Designer runs a monthly cover contest, and reading his honest commentary can be really educational as well as entertaining. He’s particularly geared towards e-book covers, which have slightly different requirements than bookstore covers – they have to be something you can get an impression from even when they are really, really tiny. (It’s worth noting that my friends still argue over which cover is better, but to my mind there is no contest.)
http://www.thebookdesigner.com/2011/08/monthly-e-book-cover-design-awards/

Get the right copy (book blurb)
This is a useful exercise whether you are traditionally or indie published, or are unpublished and setting up your author platform. (It’s also very helpful as you query agents.) I especially like this post from Ruth Harris because it not only offers good advice, it gives you links to lots more good advice:
http://annerallen.blogspot.com/2014/03/8-tips-for-writing-that-killer-blurb.html

Avoid being taken for a ride
During the California gold rush, the people who made the most money were the people who sold stuff to miners … and the people who stole stuff from them. That’s true of the indie publishing phenomenon, too. Heck, people who are trying to be traditionally published often fall victim to scams, too. Before you do business with anyone who claims to be in publishing, check that person or business at Preditors and Editors. You might also want to check with Indies Unlimited, the Writer’s Café at the KBoards, and anyone you know who’s already out there. Go beyond the first pages of Google (which can be manipulated by savvy operators) in doing your due diligence, and include in your searches terms like “reviews” or “complaints” as well as the business name.
Preditors and Editors: http://pred-ed.com/

Finally, two rules you really need to understand before you publish:

Rule #1: DON’T SPEND ANYTHING YOU CAN’T AFFORD TO LOSE. Even legitimate expenses don’t always pay off in this business. No provider can guarantee you financial success, and you should be deeply suspicious of anyone who makes that kind of claim. (On the other hand, you should also be prepared to invest in your business.) The obvious companion to this: Don’t quit your day job (unless you really can afford to).

Rule #2: SUCCESS AS A WRITER IS A LONG GAME. If you hope to make a living at this, or a decent supplemental income, or a measure of fame, one book will not do it. Most people who do well already have four or five or six books out and have been slogging away without great reward for years. So if you just want to publish your memoir or your Great American Novel and be done with it, realize that you are essentially just making it conveniently available for friends and family rather than trying to build a career as an author-publisher. And if that’s the case, you really don’t need to learn your way around — just find a handy vanity publisher or formatting service and get it done.

Feel free to add info below — we can all benefit from your knowledge!

One writer’s resolutions for 2015

  1. Keep a drafting-new-work schedule, with no clicking out to “research” or just peek at social media. I had resolved to do this last semester and failed miserably. We’ll see how I do this time. I’m going to set up timers and documentation I can see on the bulletin board. Maybe I’ll give myself a gold star each day I get it done.
  2. In the time allowed for it (and no more!), get a much better handle on my social marketing and content marketing, including figuring out just what the hell those things really are. I need to get serious about this blog and make it worth the time involved.
  3. Get the audio books done. Some people just read their books that way.
  4. Read more. Just chip away at the to-read pile. Because it’s horrifying, and because writers must read.
  5. Find a way to help out fellow writers that doesn’t require me to have actually read and liked their work yet (see #4). Maybe on my web site, which might hit two resolutions at once.
  6. Get rid of more stuff. The move helped a lot, but when I went downstairs to organize the basement this weekend I realized how much more crap needs to go. I want to sit down with at least one file folder or drawer or cabinet a night and WEED. Once that’s done, I can take another look at organizing what’s left. This includes my computer files. Hopefully I will spend less time looking for stuff and more time moving ahead.
  7. Make fitness a priority – Writing is bad for you, physically. You’re mostly sitting on your butt, hunching in some cases. In the last three years I’ve been coping with Achilles tendonitis from a disastrous flirtation with barefoot shoes and a frozen shoulder that probably started with some minor injury and then blew up from all that hunching. I happily took the excuse to avoid weight work, but it’s time to get back to it. (Well, almost – I’m still holding off on shoulder work until I get an all-clear.) I tried Zumba for the first time a couple of weeks ago (fun!), and I plan to stop being a yoga virgin this year, too. And I’d like to do more country and contra dancing. And then, of course, there’s walking. I live on a hill, so I get a little workout just going around the block.

    Set up for weights and meditation. It ain't pretty, but it gets the job done.

    Set up for weights and meditation. It ain’t pretty, but it gets the job done. (Making it pretty can be next year’s resolution.)

  8. Meditate. I’ve known how to do this since college, but do I make time for it? Hardly ever. I have no idea if it will help with writing, but I suspect it might prime the mind for creativity a little less wastefully than standing in a hot shower for too long (which is what I do now – and since my shoulder IS still a bit stiff and my husband has retired to Puerto Rico, I’ve had to start applying lotion to my back with a rubber spatula – so dignified!).
  9. Have more real life contact with real people. Facebook is nice but it’s no substitute for knowing what’s really going on in the lives of the people you love. This has nothing to do with writing per se, but writing is rather isolating, and even introverts need friends.
  10. Practice gratitude. The picture below is a gift I got myself this Christmas. The space for each entry is short, so I’m going to challenge myself to also tweet something I’m grateful for each day in 2015. I was invited to do a shorter version of this on Facebook this year, and I found it helpful.
A Christmas present for myself

A Christmas present for myself

The evidence of 54 years on the planet suggests that I’m not going to actually accomplish all of these, of course.

But hey – any forward progress counts. Add it up day by day and that is the trick to getting anything done.

What are your resolutions for the New Year?

Short excerpts from The Ribs and Thigh Bones of Desire (Part 1)

I need to build a page of these for the site, so I figure I’ll try to pique your curiosity over the next couple of weeks at the same time. If you want to read Chapters 1 and 2, you can begin here. To peek at Chapters 3, 4, and 5, sign up for my email list here.

EXCERPTS

As with the book, there’s a “bad language and adult themes” warning. There’s nothing explicit here, though.


Molly was not always enthusiastic about her father’s new life, but at least she was part of it. This was more than many kids with divorced parents could say. Besides, she blamed her mother for everything, although she was not above despising her stepmother for things like loving The Six Million Dollar Man and wanting all her bathroom accessories to match.


He watched the hemlock boughs sway overhead and flicked the occasional ant away from his thighs. Would there be grief in the ant hill tonight? Or would the ants just keep doing their ant business, oblivious to their losses? Did ants ever try to lay guilt trips on each other: Hey, asshole, I took a hell of a lot better care of the Queen than you ever did!


Molly gulped down the rest of her punch. She liked the peculiar sensation of warmth it was giving her, the odd little swoop of something like going over a bump in the road and becoming airborne.


“It’s okay to use the phone here, isn’t it?” She had decided it was time to call her dad and bail out of this situation.

“No need, we’re moving on, too,” Kim said. “Gina’s going to take us back, right, Gina?”

“Sure,” Gina said.

“How soon?”

“Soon as we finish Gina’s face. Hey, let’s do yours, too!”

“No, that’s all right,” Molly said quickly. Kim was even less judicious with make-up than she was with criticism of her parents. Gina’s heavily-penciled eyes made her look like a raccoon on the make.


She handed him his mug and sat down next to him.

“Decided to give it a try?” he asked.

She nodded and took a tentative sip – and screwed up her face in disgust. It was so much worse than she’d expected! How could something that smelled so good taste so bad? Still, she took another sip. It wasn’t quite as bad when she knew what to expect.

“A lot of people take it with cream and sugar.”

Why even bother with it in the first place, she wondered? But perhaps it was one of those things adults were just expected to develop a taste for, like Brussels sprouts and oral sex.


David stared at his knees, trying to come up with something that might sound a little more plausible. “My housekeeper has the most wonderful ass,” he blurted, then thought oh fuck. He certainly hadn’t meant to say that.

The other patients sat up, suddenly interested.

“Your housekeeper?” Rob’s eyes glittered.

His face was burning, which wasn’t going to help at all. “I didn’t mean that.”

“Oh yes you did,” Rob said. “Tell us about this housekeeper.”

“There was nothing to tell. I didn’t mean it. She’s only sixteen, for God’s sake.”

Breaths got sucked in all around the circle. “Fucking A,” Arnold said, clearly approving.

“How’d you end up with a sixteen-year-old housekeeper?” another guy from across the circle asked. He sounded envious. “You use a service or something?”

“She was my daughter’s babysitter.”

“Holy crap,” Arnold said. “You want to fuck your dead daughter’s babysitter?”

“I do not! Shut the fuck up!”

Arnold gave him a toothy grin. “Hey, I’m not blaming ya, buddy.”

Timothy sniffed. “You can get thrown in jail for that kind of thing.”

“I would never lay a finger on her,” David said.

“Yet her ass makes life worth living,” Rob said.


Pre-order the book for only $2.99!

A note to friends and fans: If you’re planning to order it someday, your pre-order is absolutely the best way to give this book a good shot at success. All those pre-orders are counted on the day of release, which gives the book a shot at real visibility on Amazon. On the other hand, with purchases trickling in after release, the general public will never know it’s there.

(Also, I will probably increase the price to $3.99 after a time. And this one I don’t dare offer for free, so don’t hold out any hope for that. I’d get too many indignant condemnations from people who download every free book without reading the warnings in the product description.)

For those of you who only read paper, I should have a pre-ordering link up in the next few weeks.

 

 

Chapter Two of The Ribs and Thigh Bones of Desire

Continuing on from Chapter One

The Ribs and Thigh Bones of Desire -- showing a (dressed) teenage girl on a bed, looking rather pensive.MOLLY HAD BEEN to exactly four funerals before, one for each grandparent. She didn’t know if that was a lot of funerals for a girl of sixteen. But she knew this one was different. Emily and Elaine had already been dead for over three weeks, and there was no hint at all of their earthly remains, assuming there were any left. And, of course, Emily and Elaine had not been old people at the end of full lives, but a young girl and her mother.

“Such a tragedy,” everyone kept saying. It had been repeated so often that Molly now heard the words as if they were capitalized: Such a Tragedy. She had expected to hear plenty of that today and had steeled herself against it, hoping not to become a bawling wreck. What she hadn’t expected was what people were saying about Emily and Elaine once they got past the Such a Tragedy part.

“We’ll never see her learn to ride a bike!” Emily’s grandmother sniffed, then started sobbing outright and hid her face in a handkerchief before someone helped her back to her pew. Molly sat there thinking that Emily had already learned to ride a bike the previous summer. It had been the Bicentennial so they’d purchased red, white, and blue “Spirit of 76!” tassels for Emily’s bike handles. Didn’t this woman ever talk to her granddaughter on the phone? But then she felt mean. After all, Mrs. DeRochemont not only didn’t get to see her granddaughter learn to ride a bike, she would never get to see her ride a bike, ever.

Probably they’d missed so much because they lived all the way over in California, which had to be a very expensive long-distance call. And who was she to judge? All her grandparents were dead. They had excuses.

But her sense that things were off just got worse when they started talking about Elaine. They kept referring to her amazing talent, to her great promise as a poet and painter. Molly had worked for Elaine Asken as a babysitter and mother’s helper for four years, but she’d had no idea she ever wrote poetry, and she’d never seen her paint anything other than the bathroom – a nice sky blue.

Her mother looked as perplexed as she was. Their small town did not lack for artists. Molly’s mother was one herself (the infamous Cassandra Carmichael – yes, that one). She wasn’t shy about bringing it up, either. So how could something like this have never come up in neighborly conversation?

Back at the Asken house, now crowded with mourners trying not to chat too cheerfully over the food, Molly caught her mother examining pale David Asken with suspicion. Her mother had always seemed to like this young family across the street, to consider them the right sort of people, not too old-fashioned or Republican or anything. She particularly approved of the fact that Elaine had a job, teaching English at the local public high school. Now, however, Molly could tell that she suspected Dr. Asken of oppressing all the art out of his wife.

Molly thought it was more likely that her mother had oppressed any mention of art out of Elaine. Cassandra had hit the big time with an installation called Puberty, which had included a life-sized sculpture of Molly, twelve at the time, constructed entirely of tampons and feminine napkins – unused, thank God. This had been such a big hit that her mother had moved on to a series of papier-mâché portraits of women’s private parts she called Carnation, Lily, Lily, Rose. Worse, her mother always made sure the local media knew about her new shows, and they delighted in giving full coverage to her exploits.

All this had often made Molly want to curl up in the fetal position in her bed rather than go to school. People assumed Shadbrook was an enlightened town because it was so close to UMass and the other colleges – and plenty of academics did live there. But the other people, the locals – farmers and factory workers and custodians and groundskeepers – wouldn’t be caught dead pretending to like contemporary art. At Shadbrook High School the kids had saluted her mother’s first show by passing her sanitary supplies in class and calling her Tampon Girl. She was grateful when her father took pity and got her transferred into a local boarding school as a day student. At Shadbrook Academy the rich kids thought it was cool to have a mom who was so open-minded about, like, sex, and Molly tried to act as if she thought so, too. She’d already learned the hard way that betraying embarrassment in high school was like jumping into a shark frenzy with a vein open.

But Molly was not particularly open-minded about sex. She was still only sixteen, and she had never felt an overwhelming urge to exchange bodily fluids with any of the boys she knew, even the ones she considered cute. And she didn’t appreciate it when someone assumed she must be hot to trot just because her mother had a bunch of giant vulvas lined up on a shelf in her studio.

Today, though, she was less the crazy feminist artist’s daughter than she was the bereaved babysitter of the dead girl. People were giving her the same watery smiles they were giving Dr. Asken – in her case, probably because her eyes were still red-rimmed with tears from the service (so much for not bawling), or perhaps because she was helping out at the house and therefore seemed to hold some kind of official family status.

Mr. and Mrs. Pizarelli from next door tapped on the glass door off the deck and began to slide it open. Although the Asken house faced busy Federal Street, the driveway was off quiet Brinkley Street, facing Molly’s mother’s house. Only salesmen and Jehovah’s Witnesses walked all the way around. Mr. Pizarelli bore a huge pan wrapped in aluminum foil while his wife carried a homemade layer cake high up before her like a sacred offering. Molly knew they were going to want more recognition for their efforts than they could get from her, so she quickly went into the living room and pointed Dr. Asken’s sister, Denise, toward the new arrivals.

In the living room, two women she didn’t know were examining the large oils hanging there and Molly suddenly realized that they must be Elaine’s, since they were signed EDR. The two largest paintings were color studies more than anything, but a few were more representational – impressionist scenes of shells or sea oats and dunes. It was the kind of stuff her mother would dismiss as too conventional – sofa art, she might call it, with a sniff.

Molly jumped when Denise grabbed her elbow and steered her towards the kitchen. Although she lived in Minneapolis, Denise had been staying here at the house since shortly after the crash, watching over her brother while he recuperated from his injuries. She leaned in towards Molly’s ear and murmured, “How do you think it’s going?”

What made Denise think she was any judge? “Fine, I guess.”

“I was hoping David would get more involved, but I’m afraid he still has a long way to go.” She sighed unhappily.

After three weeks in the hospital, Dr. Asken still had one arm bandaged all the way from the hand to the elbow and hanging in a sling. The other hand wasn’t bandaged anymore, but it was scarred with pale, puckered trails like birthday cake icing. At rest it curled in on itself like a claw. Except for those injuries it was not really obvious from looking that he had survived a terrible plane crash. There had been fourteen survivors out of eighty-three passengers – or eleven, really, since three had since died from their injuries.

Molly assumed Dr. Asken was suffering – how could he not be? But today, when she’d dared to look, she was mostly struck by how he seemed to not really be there at all.

“Do you think you could stay for a while this afternoon and help me clean up? I’ll pay you, of course.” Denise’s plump face had managed to take on a hollow look, and she had a fine sheen of perspiration over her upper lip. She’d been shepherding people to and away from her brother, putting out food, refreshing drinks and supplying gory details to people who surely already knew what had happened but wanted to hear it all over again from a more authoritative source.

“Yes, I can stay. You don’t have to pay me.”

“Oh, aren’t you sweet.”

Molly sensed a faint touch of contempt there. Did Denise think she was some kind of provincial idiot? But although Molly could use the money, it hadn’t been her primary motivation in her relationship with the Askens for a long time.

This house had been her refuge from the general chaos at home as well as impassioned monologues about the beauty of the female body and the political importance of the female orgasm and other things she just didn’t think a girl should have to discuss with her mother. She had loved Emily because she was a sweet little girl who worshiped her, and she had loved Elaine because she was predictable and steady and kind. She’d loved coming over here into the tranquility of Elaine’s blues and greens, the houseplants that didn’t die from neglect, the sense of order and peace. Just stepping in the door was soothing.

But it was not Elaine and Emily’s house anymore; it was just Dr. Asken’s. And Dr. Asken – Dr. because he had a Ph.D. and taught science at one of the local women’s colleges – had never been anything more to Molly than a tall man with hair just long enough to make her father frown, a man who occasionally appeared, looked mildly embarrassed, and paid her.

In truth, she was not really entirely comfortable that she had been hired to work as Dr. Asken’s housekeeper for the rest of the summer.

She quietly dodged around people in the living room, collecting glasses and dishes, doing her job. But when she was loading the dishwasher and recognized Emily’s favorite juice glass, the one with Cookie Monster on it, she felt tears rise again. She dashed out the door to the front porch, where she could slip down onto the old wicker sofa behind the lilacs and try to get a grip.

Moments later, her mother stuck her head out of the front door. “Oh, there you are,” she said. “Are you all right?”

Molly nodded and gave her a surly pout, desperate to head off any serious attempt at comfort. It would only make her cry.

Cassandra sat down next to her and took out a cigarette. “I wonder why she stopped painting,” she said. She took a drag and blew out smoke in a long stream.

Molly coughed. “I wonder why you started smoking.”

Her mom blew out another long stream, and Molly wondered if maybe that was why she had started smoking – the opportunity it provided for dramatic pauses.

“I used to smoke before I got pregnant with you.”

“So you won’t mind if I start now, either?”

Her mother cocked an eyebrow at her and offered her a cigarette.

Molly recoiled.

Her mom smiled. “I didn’t think so.” Another stream. “What do you think of Elaine’s paintings?”

“I didn’t realize they were hers. I like the colors.”

“I see indications of real talent.”

Molly frowned. There was no way would her mother would have said that if Elaine were still alive. Her mother generally dismissed all but most the radical of her contemporaries as “bourgeois hacks,” and there was nothing in Elaine’s work that suggested revolutionary tendencies. Molly said, “Elaine was the warmest, kindest woman I’ve ever known.”

Her mother stubbed out her cigarette and tossed the butt into the lilac.

Molly thought it took a lot of nerve to toss a butt into a grieving man’s front garden, but then she realized there were no ashtrays on the front porch. Elaine would have thought to put some around. “Let me get an ashtray for you,” she said, and stood up.

“Don’t bother, I’m going home. Are you coming?”

“Denise asked me to help clean up.”

Her mother snorted. She’d taken an instant dislike to Denise. “Well, good luck with that.” She went back through the house, no doubt to do another round of condolences on her way out.

Molly twisted around to peer through the living room window, curious to see how Dr. Asken would react to the second, parting handshake from her mother. People in the room stopped what they were doing to watch her. Molly’s mother was not a beauty – she was a tiny woman, with unusually short, spiky hair and a face that was more interesting than it was pretty – but people did watch her, even people who didn’t know how notorious she was.

But Cassandra Carmichael didn’t get even a flicker of recognition from Dr. Asken. It was the same as the first time he’d shaken their hands, after the service – like someone going through motions he didn’t even know he was making.


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The Ribs and Thigh Bones of Desire -- showing a (dressed) teenage girl on a bed, looking rather pensive.

It’s 1977 in a small New England town peppered with academics from the nearby colleges. Physics professor David Asken has just lost his pregnant wife and young daughter. Molly Carmichael is the sixteen-year-old babysitter from across the street, not in any hurry to grow up and eager for almost any refuge from her mother’s notorious art career. Her summer job is to keep house for the recuperating widower, a man who’s quietly planning to end his life as soon as he can drive again. Events will force both of them to grow up the hard way, and it’s their unexpected connection — fraught with potential scandal — that will help them do it. THE RIBS AND THIGH BONES OF DESIRE explores the nature of love, and raises the question: Is there ever a time when doing the wrong thing might be exactly right?


There is a code of behavior, she knew, whose seventh article (it may be) says that on occasions of this sort it behooves the woman, whatever her own occupation might be, to go to the help of the young man opposite so that he may expose and relieve the thigh bones, the ribs, of his vanity, of his urgent desire to assert himself; as indeed it is their duty, she reflected, in her old maidenly fairness, to help us, suppose the Tube were to burst into flames. Then, she thought, I should certainly expect Mr. Tansley to get me out. But how would it be, she thought, if neither of us did either of these things?

VIRGINIA WOOLF, TO THE LIGHTHOUSE


 

CHAPTER ONE

WHAT WAS THE POINT OF BEING MARRIED, David thought, if he couldn’t at least have a little company while he was pretending not to be terrified?

Elaine must have been really tired to sleep that way, with her mouth open and drool trailing down her face. He knew she’d hate to be seen like that, which gave him another reason to wake her up. “Honey?” he said, using his thumb to gently rub the drool away.

She opened her eyes and looked blank for just a moment, before a jolt of turbulence made her grip the arm rest. A small, evil part of him was pleased to see his wife the fearless flyer scared for a moment, even if it was only because she hadn’t fully wakened. “They said it was going to get bumpy. And we’re starting our descent, so the seats need to come up.” She’d missed the no-smoking light coming on, which might have cheered her up if the cabin wasn’t already layered with a haze of cigarette smoke.

She pressed the button that straightened her seat, then did the same for their daughter Emily, who slept on in the window seat. Her little face, still a little too pink from the Florida sun, was sweaty with child-sleep, and a few stray strands of hair clung wetly to her forehead.

It was probably just as well she was out, what with the steady shaking they were getting. Either she’d be scared about something neither Mommy nor Daddy could fix, or she’d decide it was fun and he’d know he was the only natural-born weenie in the family.

Was it evil to hope that the next child would take after him a little more? He put a possessive hand on Elaine’s belly, which still wasn’t showing anything that couldn’t be put down to the airline meal. She gave him a tight smile in return, one he easily translated as must you?

He withdrew his hand. She didn’t want him to tell anyone yet – not even total strangers in Florida who didn’t know their names and could hardly run off and share the news with her boss or her mother. He checked to see if the woman who had the opposite row all to herself suddenly had a knowing look on her face, but she was bracing one arm on the seat in front of her and gripping the armrest with the other. Her eyes were closed and her lips were moving – presumably in prayer – but her eyes opened wide at a sudden clanking.

“It’s just the landing gear going down,” he offered, with far more nonchalance than he felt. (Were they really going to try to land in this?) She didn’t look comforted.

Another sharp jolt made someone further up scream. Outside the window a spike of lightning briefly illuminated startlingly high towers of storm clouds and was followed immediately by the crack of thunder. Raindrops began to trail across the window as the lightning began to intensify, its cracks and booms and rumbles and murmurs overlapping so much that David gave up trying to count seconds in order to estimate distance.
Between flashes, the red and yellow glow of the plane’s lights pulsated eerily.

“I thought we were supposed to miss all this bad weather by leaving as late as we did.” Elaine might not be a nervous flier, but she was definitely an irritable one.

“This time of year storms can form pretty quickly.”

“Lovely.” She started checking the seat pockets in front of her and Emily, tidying compulsively as usual. “Should I wake her?”

“She might start singing the Mickey Mouse Club theme song again.”

“At least it replaced It’s a Small World.”

“Don’t even mention it!” Elaine wouldn’t be above teasing him with the tune just for kicks, so he quickly added, “She had a good time, didn’t she?”

“That she did,” Elaine said. “She’s not hard to please.”

Unlike you, he thought. What wouldn’t he give just to hear her say he’d done something right? Something like: “Going to Florida was such a great idea, David!” But she just wasn’t given to that kind of thing.

Instead, it seemed to him, long recriminating silences were beginning to replace the easy exchanges they’d once had. He thought they’d each talked and listened in fairly equal measure, back when they were dating and first married. These days, it seemed to him he did more of the talking, and often all he got for it was that tight smile.

Like when he’d come home from the last day of class with these plane tickets.

Aw, fuck it. “Did you enjoy it?” he asked.

“Sure,” she said. “A lot more than I expected to.”

That was an admission, wasn’t it? She hadn’t expected to have fun. She could still be lying about having any, though. “What was your favorite part?”

“Oh, watching Emily get so excited, of course.”

Of course. Emily. Not her.

Not that this vacation hadn’t been a bit of a marathon for him, too. It had been so hot and humid, and the lines so long, and everything so relentlessly, cheerfully commercial. It had also been a lot more expensive than he’d counted on, and just to top it all off, Elaine had begun to have a little morning sickness. It hadn’t really occurred to him until too late that maybe this trip wasn’t the best timing for her.

“You feeling all right?” he asked now. This bouncing around couldn’t be easy on a queasy stomach.

“I’m fine,” she said, as if surprised.

They had to be nearly at the runway by now, surely? He peered outside looking for lights from the ground, and thought he might see a few. This was really very bad weather to be landing in. It wouldn’t even be safe to let them off the plane, not onto those metal steps – though he would be willing to run for it just to get the hell out of this thing.

Another strong jolt punctuated the general shaking. He took Elaine’s hand, then leaned forward and peered at Emily. Her lips were doing that adorable suckling thing. A few rows ahead, a baby started screaming.

“I bet that baby’s ears are bothering it,” Elaine said. “They should give it a bottle.” There was a perceptible increase in conversation, probably as every mother on the plane said some variation of the same thing, while everyone else on board wondered, like him, how long they were going to be trapped on a shaking plane with a screaming baby.

No longer just peppering the windows, the rain could now be heard pounding furiously on the roof.

The engines suddenly roared and the plane lifted steeply up again. The conversations around them stopped dead at this change in the routine. Only the baby continued crying.

David felt the plane straining for altitude even as it continued to buck. With one hand he held on to Elaine’s and with the other he held onto his seat.

Emily whimpered and Elaine pulled her hand away to attend to her, just as the plane suddenly lurched left.

And that was the last thing he remembered of his life before the crash.

———————————————————————————–

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ABNA was nice while it lasted, but…

…not, in retrospect, quite as nice as I’d expected.

Amazon Publishing’s Amazon Breakthrough Novel Award is a brilliant idea to acquire new authors of quality work, usually without the fuss of agents, while building engagement among its self-published authors and readers. Kudos to them for coming up with it.

I wasn’t at all sure about entering. The Awful Mess is women’s fiction, and it would be up against the entire general fiction category. My book verges on romance, and it has progressive religious elements. I didn’t think either aspect was going to help it. My book also has two sex scenes and some bad language. This didn’t seem to fit the guidelines for the contest. Finally, I suspected that this whole process would be a bit of a distraction from my game plan. And it was.

On the plus side, getting to the quarter finals would include a free Publishers Weekly review. And a couple of fellow authors, including one who’d made it to the quarter-finals before, urged me to jump in. I did my research and noticed generally strong marketing by Amazon for the previous winners. So, ultimately, I did jump in, with a version in which the two explicit sex scenes were jumped over.

And, as it turns out, the book made it to the quarter-finals and then into the semi-finals — which is to say, it was one of five semi-finalists for the general fiction category.

I'm in there with the ABNA semi-finalists -- I'm not just making it up!

Yes, I really was in there with the ABNA semi-finalists — I’m not just making it up!

Personally, I would not be shocked if Amazon was behind the scenes somewhere guiding this result, since they might have noticed that this book was doing pretty well for an indie debut (in its first year it sold over 1,200 copies, and had over 50,000 free downloads). If I were an acquisitions editor in their publishing division, I might think this looks like an author with potential. (The book that won the general fiction category was already self-published, too, and doing even better.)

I especially wondered this after I got my sought-after review — which, it turned out, was not really a Publishers Weekly review, in the sense of being a review actually written for and published in Publishers Weekly. It was uniformly positive, for which I was very thankful, but it seemed a little off, as if the person who wrote it hadn’t really read the entire book. It suggests that my heroine fends men off (she tries, but she’s not very good at it), and references the “rowdy bars” of the small New England town. I suppose there is one kerfuffle in one bar, but it’s hardly a major plot element. It also uses the phrase “small New England town” twice in six sentences. While I’m very grateful that it is so positive, it’s not something I can easily use for marketing, especially since I have to explain that it’s from the ABNA contest and the book was not exactly the same. So I consider this aspect a bit of a bust.

I decided that I would not attempt to enlist my friends or mount a social media campaign to gain reviews for the ABNA excerpt. I already had 170+ real reviews on the full novel, so it seemed kind of silly. Also, I was moving house and had no time to even send out a press release. This may or may not have played a part in the reality that I didn’t win my category.

Part of the reason I didn’t fight for it may be that I was feeling ambivalent about becoming an Amazon Publishing author. That it would be financially advantageous, I have little doubt. I notice that Amazon promotes its own books quite effectively, and I considered the contract all semi-finalists sign eminently fair (I once worked as an acquisitions editor, so I am more familiar with publishing contracts than most folks). But whether Amazon was likely to be a happy partner with me as I moved ahead on later books — books with even more sexual themes, plus some controversial content in the second — I wasn’t sure.

I noticed they had a truly huge list of authors in their various publishing imprints, so I had no idea what kind of attention I would get (not that I have any complaints about communication from them during this process — it was always prompt and courteous). And while Kindle Select was a great place to launch The Awful Mess, staying exclusive to Amazon would mean no branching out into Kobo, Nook, the iStore, or bookstores going forward. It might get me even less access to local bookstores than I already have as an indie. I’m not sure what it would mean for libraries, but I doubt it would help much.

Finally, my sales dipped pretty precipitously during this process. Most of this, I’m sure, is because I haven’t been promoting. After signing that contract, I wasn’t sure how much I could promote. When I finally asked, initially I was told I could do anything as a self-publisher, but then when I double-checked before confirming a BookBub promotion, and the product manager also double-checked, the lawyers said that during final voting that kind of promotion would be a no-no. Part of the sales dip may also be that I let my Kindle Select status expire because I was planning to branch out into the other retailers once I had safely lost. (Does Kindle Select status provide a measurable sales advantage on Amazon? I don’t know. I do miss the income from loans, though.) Part of it may also be confusion between the ABNA excerpt and the full book, though I doubt it.

At any rate, at this point I’m so close to launching the second book that I’m going to go ahead and get those ducks lined up before I do any serious promoting. I’m now aiming to get that published this fall. (If you’d like to be notified when it’s out, make sure you sign up for my mailing list, and then make sure you also opt in when you get the confirming email.)

So, fellow writers, if you’ve participated in ABNA at any point, did you feel it was productive for you? Would you recommend it to others? Would you do it again?

 

 

Five unexpected pleasures of being single again in my 50s

#1 City living. The need for an affordable house pushed me into a city I had originally intended to avoid, if only because of resale issues. But I’m glad it did, because I really like it here. People often think of this city as dangerous and poverty-stricken. It does have some downtrodden neighborhoods, but it’s also beautiful and interesting and lively. In my little subdivision, built in the 40’s, we each have a little lot and a little house – and it’s plenty enough to live in comfortably. I don’t feel unsafe. I don’t have to worry about bears, either. And I’m close to everything.
#2 My space. Even though it’s a much smaller house (less than half the size of the old one), I feel as if I have more space. This isn’t so much because of downsizing as the reason for downsizing — my ex has retired to his beloved Puerto Rico (and we are legally separated). My son has his own TV in his own room now (he’s nineteen, so I don’t feel guilty about that). That means I actually have a living room that I can use as I wish — for reading, or for watching what I want to watch. It’s strange and quite pleasant, after nearly 24 years of marriage in which the remote largely sat in the hands of someone else and togetherness meant watching vast amounts of TV. Also, while sharing the single bathroom with my son does require some adjustment, at least now I can insist that he lower the seat. His future wife should thank me.
#3 No honey-do list. This means it’s entirely up to me to get stuff fixed, or fix it myself. No waiting around, no hinting, no days or weeks or months or years of frustration. Just do it or don’t do it. If it’s not done, it’s on me. Mind you, I miss my husband’s easier fixes (he could easily hang a new fan or light fixture, for example), but a large part of our marriage consisted of me wishing I could fix or replace something and him saying that he would do it – but who knew when – or telling me that it didn’t need to be done, which meant I didn’t feel I could spend money on it. He did come through in a big way once in awhile, but this is not generally an area of our marriage that I will miss – any more than he will, I’m sure. (It’s worth noting that this does NOT mean I’ve become a model of efficiency in getting these things done.)
#4 No tense interior design negotiations. I can hang the pictures I want wherever I want them. And then I can take them down and hang them somewhere else. (Yep, there’s been quite a lot of that.) Since my walls are papered-over paneling and due for painting before too long, I don’t even feel guilty knocking all those holes into them. I’ve also been rearranging furniture to my heart’s content.

Mozzarella, goat cheese, strawberries, peppers, balsamic vinegar, scallions, and oil on romaine. Not bad.

Mozzarella, goat cheese, strawberries, peppers, scallions, crushed almonds, and balsamic vinegar and oil on romaine.

#5 Nuts and berries. Seriously, add cheese and salad fixings and the occasional restaurant foray to that and we’ve pretty much got my diet at the moment. My husband would have been pointedly bringing home packages of steak and chicken by now. (He might well have cooked them, too, mind you.) My son is often away for dinner or just not interested in what I make, so I’m pleasing myself with lots of salads, or just noshing on cheese and bread and fruit. Since much of the cheese is interesting stuff from Honest Weight Food Coop or the Troy Farmer’s Market, it’s been quite really nice. And easy.

Now, I’m not saying I recommend any of this over the benefits of a loving romantic relationship — but when you don’t have that, for whatever reason, you might as well appreciate the unique pleasures of your situation.